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HOLYGROUND
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OCTOBER 2006
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ON THE BBC

A radio interview with
Mike Levon & Chris Coombs was broadcast on BBC Radio Leeds on Saturday 4th
December 2004

December 2004
Mike & Chris appeared on DOWN IN THE GROOVES presented by James Addyman.

They were invited to being in 12 songs from the 50's - 70's which influenced them
and had an effect on early Holyground music and work with musicians such as Bill Nelson. The interview was in the second hour, but the rest of the programme is well worth listening to anyway!

click for information and link to BBC download of programme


JAMMING
IN FRANCE

(1999)


click to enlarge

Mike and Chris Coombs made their way down to Chilhac in the Haut-Loire area of France in June 1999. They were accompanied by Chris's youngest son, Nick  "Kewel!" Coombs.

Nick is following in Dad's footsteps: ( they'll both kill me for that one, Mike ). On the return journey in Montreuil, we heard on the radio that a record he played trumpet on was number one in the singles chart in the UK. The champagne was ordered . . .

At Chilhac they all went to the village accordion clinic - every village should have one! The shop owner was keen to play with them all - in the street outside the shop. Sadly this didn't happen in the time available, but there was some frenzied rehearsal outside Pete's stone cottage high up in Chilhac and late into the evenings - there was even a set list, scribbled on a tourist brochure, see left!

Instruments played and shared were : acoustic guitar, keyboard, fretless bass, mouth organ, trumpet, tin whistles, whilst Mike banged away on anything nearby including biscuit tins, wine boxes, a bucket and two pieces of wood which made brilliant claves!


THE ILLUSTRATED
STEVE CHANNING IN
THE STATES

Steve sent the following letter all about his adventures in the City of the Angels in May 1999 :
Well, here at long last be the details of The American Trip. The studio is in Thousand Oaks, a sort of satellite town about twenty miles from Los Angeles. It's run by the splendidly monikered Earl Mankey Jnr who used to be the Beach Boys resident engineer for three years and is a really nice, efficient unflappable guy - just as you'd need to be with the Wilsons.



Unfortunately, he wouldn't be drawn into any really juicy stories, although I did find some gold records from the band & other artists left lying around under benches and such-like!

I didn't have as much time in the studio as I would have liked, due mostly of course to financial constraints actually it amazed me, as the hire charge was only 45 dollars an hour, but Geoff was really racking up the hours by the time I left!

(left) Earl Mankey Junior (photo : Steve Channing)

On the electric tracks I was playing a borrowed Strat through a little honey of an amp... a 1950
Fender Deluxe ...
battered, valves overheating, buzzy at times but a tone to kill for !!! The acoustic tracks are done on an Irish guitar called a Lowden.

It was designed to be a 'loose' kind of players album with the accent on creating a mood for his songs which I like very much. I tried in my feeble way at times to have a kind of Daniel Lanois-ish feel to the guitar playing no - really; if you listen closely you can hear the echoes! AIl you have on the tape I sent is a rough mix of instruments, there may well be considerably more on it by now.
The vocals are guides only of course.

(left) Earl at the desk (photo : Steve Channing)

 

(left) Geoff Gardner (in the blue shirt); Pete Sumner (friend from England);
and Annie, Pete's girlfriend (photo : Steve Channing)

Spookily enough a friend of mine moved  to California just a few days before I flew over and was able to play the cittern on two tracks, as he was living just an hour away.

The Lowden I bought over here before going and ended up selling to Geoff and me buying a stunning Martin vintage re-issue for the same money. Stuff is so cheap out there even from dealers. I also bought a little lap steel guitar and a tenor banjo - both for silly money really. I have recently sold our old friend the Levin, (played on Astral and Jumble Lane - Mike's favourite guitar for recording), to someone who I know will take care of it  I've bought instead, a lovely guitar handmade by a luthier (a lute maker -Mike) I know well for almost the same money. It was twenty years old but you'd never know it .... the previous owner had played it six times apparently!!!!

Anyway, enough of all this old bollocks about guitars and stuff. So there we go then. Chango